Victor/Victoria Broadway stage production on DVD

I was so glad when I saw that this taping of the Broadway version of Victor/Victoria was available. I knew that the stage version differed greatly from the 1982 film it was based on, but I didn't know in what ways it differed.

Ms. Andrews was 60 when her dream to return to Broadway in a stage version of the film she had starred in came true. Perhaps a little long in the tooth for the role, she none-the-less does not embarrass herself. In fact I was surprised how spry she was in this demanding role.

Vocally, Ms. Andrews was well past her peak at this point and the register she most often sings in here is husky drag queen, although she does pop out a couple of high notes (is an E-flat really a high note for someone who was the leading Broadway soprano of her day?). What is still firmly on display is Ms. Andrews performance charisma. She's a star and you can't take your eyes of her. I was pleased to see her dance in this show, in particular.

Fortunately, she also is surrounded for the most part by good talent. Rachel York made a name for herself as Norma Cassidy, the cupey doll-voiced gangster moll (played by Leslie Ann Warren in the film). Ms. York is hysterical, but does often go over the top. Her song "Paris Makes Me Horny" (also in the film, I believe) is very funny, but I wonder if the lyrics are really too smart to be believable coming out of this character's mouth. Michael Nouri is very sexy as King Marchan, and while he gets to singing something in the stage version (which James Garner didn't do in the film) it's not the best music of the show.

Actually, the music added for the stage version is not on par with the best numbers that remain from the film. "Le Jazz Hot" is a very likable song and good production number. "Chicago, Illinois" sung by Norma and her chorus-girls is also good in both film and stage incarnations.

I had an idea once that this show would be more interesting if the Julie Andrews role were played and sung by a man; so like original Shakespeare, it would be a man playing a woman who is pretending to be a man. Of course, the singing complicates that, but I thought with a good counter-tenor voice it could work. After having seen the stage version, I'm not so certain.

Victor/Victoria
Music by Henry Mancini
Lyrics by Leslie Bricusse
Book by Blake Edwards
Opened in 1995; DVD released in 2001
Cast: Julie Andrews, Michael Nouri, Tony Roberts, Rachel York, Gregory Jbara

Turn of the Century live performance at the Goodman Theatre

The last live musical performance I saw at the Goodman Theatre was Ain't Misbehavin', which I very much liked, so I was looking forward to a new musical play from the Goodman, featuring selections from the Great American Songbook in a production directed and choreographed by Tommy Tune, starring Broadway veteran Rachel York and film good-guy Jeff Daniels. But Turn of the Century was a disappointment from beginning to end when I saw it over the weekend.

This is basically a show that gets in the way of a lot of good music. The show tells the story of a pianist and a singer who get sent back one hundred years and make a name for themselves by "writing" many of the song standards that have yet to be written. We hear many of the most recognizable songs of the last one hundred years, usually in snippets.

Rather than a love story for the ages, this is a love story that takes ages. As my theater-going companion pointed out, there is no chemistry between Mr. Daniels and Ms. York, and while the later sings admirably in the several full songs she is given, often-times the over-blown arrangements get in the way. Mr. Daniels displays little of the charm that is his trademark on film. And while he is often very animated (particularly while miming playing the piano), he seems to just be being himself most of the time, which doesn't really reach very strongly across the footlights.

Joining these two on stage is an ensemble of 16 Chicago-based actors who back-up the two leads, but are given very little time in the spotlight themselves. One of the few times an ensemble member steps front and center is when Kevin Gudahl, as Harry Van Deusen the leading songwriter of 1900, sings one of the few original songs in the score--about Mr. Daniels getting his comeuppance and being outed as a fraud. Mr. Gudahl is an accomplished Chicago actor whom I have seen in mostly classical plays at Chicago Shakespeare Theatre. He can really sell it when called for--something Mr. Daniels should learn.

With the star-studded cast (well at least studded with two), a brand-name director, and a book by Brickman and Elice (of Jersey Boys fame), I'm sure this was pegged to transfer to Broadway following this try-out in Chicago. Dare I say without a much better book, better musical arrangements, and perhaps even a new lead to two, I think this show will not see the light of day after is goes dark in Chicago.

Turn of the Century

Music by everyone from Irving Berlin to Barry Manilow
Lyrics by the same
Book by Marshall Brickman and Rick Elice
Directed by Tommy Tune
Presented at the Goodman Theatre in Chicago through November 2
Cast: Jeff Daniels, Rachel York, Ron Orbach, Rachel de Benedet, Kevin Gudahl, Rebecca Finnegan, Johah Rawitz