Showing posts with label Carol Burnett. Show all posts
Showing posts with label Carol Burnett. Show all posts

Tuesday, July 21, 2009

Follies in Concert--DVD and cassette tapes



It's a sort of two-fer for today's entry. I had hopes that the Follies in Concert DVD would be a full-fledged taping of the concert, but as it is mostly a behind the scenes documentary with some snippets of the performance, I've had to rely on the two cassette recording I bought back in the 80s, when a Walkman was the height of technology.

I've never seen Follies on stage. It is not produced very often. Sondheim himself comments on why in the documentary. The size of the cast is daunting--given that many roles are represented by a young version and a middle aged version.

I think the idea of this show is fantastic, with characters constantly confronting their memories and their earlier selves. I love most of the score, too, with its collection of pastiche songs and dances in the manner of the earlier era meeting a more contemporary musical idiom in songs the older cast sing.

The cast is also top-notch throughout. While many of the older cast members are significantly younger than their characters should be, everyone is superb at communicating the core of their characters, primarily through music. The young company gets a little bit of the short stick, I have to say, both in the structure of the show and in face time in the behind-the-scenes documentary.
A highlight for me is the Heidis duet "One More Kiss" sung in this concert by Licia Albanese and Erie Mills. I don't know the backgrounds of either performer well, but they seem to perfectly capture the essence of this song from a vocal standpoint. Ms. Albanese was a Met Opera performer long past her prime when this concert was given in 1984. The ghost of a voice is still there, but with many wobbles. Ms. Mills is a young coloratura soprano who handles the runs and high notes quite well.
I've always been curious about the 1971 recording of this show. Apparently it excluded many of the songs to fit onto one record. I'd love to hear Yvonne de Carlo sing "I'm Still Here". I'd also like to hear the 2001 Roundabout Theater cast, which included Kelli O'Hara, Treat Williams, Gregory Harrison, Erin Dilly, Blythe Danner and on and on. Was it recorded?
Follies in Concert
Music and Lyrics by Stephen Sondheim
Book by James Goldman
Premiered in 1971
This concert took place at Lincoln Center in 1984
Cast: Carol Burnett, Elaine Stritch, George Hearn, Barbara Cook, Mandy Patinkin, Liz Callaway, Howard McGlinn, Daisy Prince, Lee Remick,

Tuesday, April 28, 2009

Putting it Together--staged review on DVD


Well, I was just complaining the other week about the plethora of Sondheim revues, events, benefits, concerts, etc. and here I am Thinking about one again. My bad. I saw Putting it Together on the musical DVD shelf at the library and was curious.

And by curious, I mean about the performances of some notables in the cast. Actually this cast of five is all notable, I was Thinking specifically about the performances of Carol Burnett and John Barrowman.

Mr. Barrowman is now best known for his roles in Dr. Who and Torchwood, but he has a musical theater past, and I hope, a musical theater future. I own a couple of solo cds of Mr. Barrowman singing show tunes, but I've never seen him on stage in a musical, so I was curious. He's very good, if a bit showy. He is the strongest singer presented here, and that's saying something given the strengths of this cast. He has an ease into his upper register that I envy more than I even envy his physique and good looks.

I was also curious of Ms. Burnett's return to Broadway after an absence of 30 years or so. She sings two of the most difficult songs in the Sondheim songbook--"Ladies who Lunch" and the wedding patter song (does it have a name? Hixx, you're my Sondheim go-to gal). Ms. Burnett delivers on both solo songs. Her duets with George Hearn left me wanting a little, though.

Bronson Pinchot is surprisingly delightful in this production, which was his Broadway musical debut. While he is a rather weak singer, his charm and acting abilities make up for much of his vocal shortcomings. I got tired of the convention of Mr. Pinchot introducing each segment, but his solo numbers were well-done.

A little googling of the history of this review (they use this spelling, which to me is what a critic does) tells me it was revived from a 1993 production that starred Julie Andrews; a version which was released on CD.

So maybe I have some Sondheim Thinking left to do.


Putting it Together
A Musical Review
Music and Lyrics by Stephen Sondheim
Cast: Carol Burnett, John Barrowman, Ruthie Hensell, Bronson Pinchot, George Hearn

Wednesday, April 1, 2009

Follies in Concert on CD


I've never heard the original cast album of Follies; apparently it was missing many songs in order to fit onto the vinyl of the day. So this 1985 concert version of the show is much more complete and gives a better impression of the score.

The format of Follies fascinates me. I've never seen it on stage, but the idea of "ghost" chorus girls floating through scenes, and the past and the present inhabiting the same space is very cinematic and endlessly intriguing to me. Its not often staged and understandably when so many characters are doubled with young and old versions.

There is so much music I like in this score--and surprisingly for me, I like the "contemporary" songs of the score as often as the follies-era songs--"In Buddy's Eyes", "The Road you didn't Take", "I'm still Here", "Losing My Mind", and "Too Many Mornings" are all good or better.

The number of wonderful performers in this concert also makes this recording a gem. About the only cast member I have issues with is Mandy Patinkin--and that's more for his being much too young for the role. Although I believe his ultra-manic version of "Buddy's Blues" is a drastic change from the original stage version.

I bought this concert album soon after it was released in 1985, the version I own is on two audio cassettes. I'm listening to it today on CD, because I don't even have a cassette player any more. I remember being so taken from the very start with Arthur Rubin's robust tenor in "Beautiful Girls" and with the two Heidies singing "One More Kiss". This was before I'd ever been to an opera, but I was still attracted to the most "legit" singers in the cast.

Of course, in 1985, I wouldn't have known any of the famous names in the cast (except Carol Burnett and Mandy Patinkin, which is probably why I bought the thing in the first place). No, I wouldn't have known George Hearn, or Barbara Cook, or even Elaine Stritch.

So, I came a long way even before starting my Year of Musical Thinking.

Follies
Music and Lyrics by Stephen Sondheim
Book by James Goldman
Opened in 1971, this stage version recorded in 1985
Cast: Arthur Rubin, Barbara Cook, George Hearn, Jim Walton, Howard McGillin, Mandy Patinkin, Lee Remick, Liz Calloway, Daisy Prince, Betty Comden, Adolph Green, Lilane Montevechhi, Elaine Strich, Phyllis Newman, Carol Burnett, Licia Albanese, Erie Mills

Wednesday, June 11, 2008

Once Upon a Mattress Original Broadway Cast Recording

I find it very easy to be inspired by Carol Burnett. She's the quintessential comedic performer who took her own personality and unique skill set to build a significant and lasting career. And no show better epitomized Ms. Burnett's uniqueness than Once Upon a Mattress.

You have to be a real singer to perform Princess Winifred, I think. While the big "Shy" number can just be belted out to some effect, "The Swamps of Home" and "Happily Ever After" require good legato singing and are rangier than expected. The singing by the "legit" singers in the cast is a little disappointing at times. "Yesterday I Love You" is a beautiful, tuneful song and needs good singing actors. Maybe the Sarah Jessica Parker revival includes some of that. But that's for another day.

I have performed in Mattress, when I did summer stock with College Light Opera Company on Cape Cod in 1984. It's a fun show to perform in--lots of good in-jokes. The best one that the audience never sees is Queen Agravaine's big monologue, which in the script is called the mamalogue.

The liner notes for this CD release give what I thought was interesting background on the show's creation and how certain characters developed in the way they did.


Once Upon a Mattress
Music by Mary Rodgers
Lyrics by Marshall Barer
Book by Jay Thompson, Marshall Barer, Dean Fuller
1959 Broadway Cast Recording
Released on CD in 1993 by MCA Classics Broadway Gold
Cast: Harry Snow, Joe Bova, Allen Case, Anne Jones, Carol Burnett, Jane White, Matt Mattox, Ginny Perlowin