Two Gentlemen of Verona--Original Broadway Cast Album

I happened across the CD release of this show in a bin at the library and knowing absolutely nothing about it (except assuming the story was at least based on the Shakespeare of the same title) I thought I'd give it a whirl. I hadn't realized that Galt MacDermot had written another musical besides Hair, but he did and it is Two Gentlemen of Verona.

Well, this one is going back to the library as soon as possible. I have no desire to hear any of it again, nor to investigate the show or its score any further. I find it remarkable that this show beat out Sondheim's Follies for the Best Musical Tony Award for 1972. Well, Follies has been revived often, and Two Gentlemen, never (at least on Broadway), so I guess Sondheim has the last laugh.

There was only one song of the 34 on the CD that I wanted to listen closely to, or hear again; the funny and satirical "Bring All the Boys Back Home" is still surprisingly timely given that it was written almost 40 years ago. But then, world leaders have been hiding behind and capitalizing on war since the Greeks ransacked Troy.

I was sorry that none of the singing voices captured my attention, either. Clifton Davis has a pleasant enough voice, but doesn't sing any songs that really lets it shine. Raul Julia may have been a mega-wattage stage presence (as the very good liner notes to this recording say), but it is not obvious from the cast album.

My primary problem with the score is that it seems to lack the infectious fun of Hair, as well as the singability.

Two Gentlemen of Verona

Music by Galt MacDermot

Lyrics by John Guare

Book adapted from Shakespeare by John Guare and Mel Shapiro

Opened 1971

Cast: Raul Julia, Clifton Davis, Diana Davila, Jonelle Allen, John Bottoms

Follies in Concert--DVD and cassette tapes

It's a sort of two-fer for today's entry. I had hopes that the Follies in Concert DVD would be a full-fledged taping of the concert, but as it is mostly a behind the scenes documentary with some snippets of the performance, I've had to rely on the two cassette recording I bought back in the 80s, when a Walkman was the height of technology.

I've never seen Follies on stage. It is not produced very often. Sondheim himself comments on why in the documentary. The size of the cast is daunting--given that many roles are represented by a young version and a middle aged version.

I think the idea of this show is fantastic, with characters constantly confronting their memories and their earlier selves. I love most of the score, too, with its collection of pastiche songs and dances in the manner of the earlier era meeting a more contemporary musical idiom in songs the older cast sing.

The cast is also top-notch throughout. While many of the older cast members are significantly younger than their characters should be, everyone is superb at communicating the core of their characters, primarily through music. The young company gets a little bit of the short stick, I have to say, both in the structure of the show and in face time in the behind-the-scenes documentary.

A highlight for me is the Heidis duet "One More Kiss" sung in this concert by Licia Albanese and Erie Mills. I don't know the backgrounds of either performer well, but they seem to perfectly capture the essence of this song from a vocal standpoint. Ms. Albanese was a Met Opera performer long past her prime when this concert was given in 1984. The ghost of a voice is still there, but with many wobbles. Ms. Mills is a young coloratura soprano who handles the runs and high notes quite well.

I've always been curious about the 1971 recording of this show. Apparently it excluded many of the songs to fit onto one record. I'd love to hear Yvonne de Carlo sing "I'm Still Here". I'd also like to hear the 2001 Roundabout Theater cast, which included Kelli O'Hara, Treat Williams, Gregory Harrison, Erin Dilly, Blythe Danner and on and on. Was it recorded?

Follies in Concert
Music and Lyrics by Stephen Sondheim
Book by James Goldman

Premiered in 1971

This concert took place at Lincoln Center in 1984

Cast: Carol Burnett, Elaine Stritch, George Hearn, Barbara Cook, Mandy Patinkin, Liz Callaway, Howard McGlinn, Daisy Prince, Lee Remick,

Follies in Concert on CD

I've never heard the original cast album of Follies; apparently it was missing many songs in order to fit onto the vinyl of the day. So this 1985 concert version of the show is much more complete and gives a better impression of the score.

The format of Follies fascinates me. I've never seen it on stage, but the idea of "ghost" chorus girls floating through scenes, and the past and the present inhabiting the same space is very cinematic and endlessly intriguing to me. Its not often staged and understandably when so many characters are doubled with young and old versions.

There is so much music I like in this score--and surprisingly for me, I like the "contemporary" songs of the score as often as the follies-era songs--"In Buddy's Eyes", "The Road you didn't Take", "I'm still Here", "Losing My Mind", and "Too Many Mornings" are all good or better.

The number of wonderful performers in this concert also makes this recording a gem. About the only cast member I have issues with is Mandy Patinkin--and that's more for his being much too young for the role. Although I believe his ultra-manic version of "Buddy's Blues" is a drastic change from the original stage version.

I bought this concert album soon after it was released in 1985, the version I own is on two audio cassettes. I'm listening to it today on CD, because I don't even have a cassette player any more. I remember being so taken from the very start with Arthur Rubin's robust tenor in "Beautiful Girls" and with the two Heidies singing "One More Kiss". This was before I'd ever been to an opera, but I was still attracted to the most "legit" singers in the cast.

Of course, in 1985, I wouldn't have known any of the famous names in the cast (except Carol Burnett and Mandy Patinkin, which is probably why I bought the thing in the first place). No, I wouldn't have known George Hearn, or Barbara Cook, or even Elaine Stritch.

So, I came a long way even before starting my Year of Musical Thinking.

Follies

Music and Lyrics by Stephen Sondheim

Book by James Goldman

Opened in 1971, this stage version recorded in 1985

Cast: Arthur Rubin, Barbara Cook, George Hearn, Jim Walton, Howard McGillin, Mandy Patinkin, Lee Remick, Liz Calloway, Daisy Prince, Betty Comden, Adolph Green, Lilane Montevechhi, Elaine Strich, Phyllis Newman, Carol Burnett, Licia Albanese, Erie Mills

Godspell film on DVD

I can't believe that the film versions of Jesus Christ Superstar and Godspell came out in the same year, 1973. There are very different in style, tone, and even in their religious viewpoints, although both end the story with the crucifixion and don't refer to resurrection (hmmm). This is composer/lyricist Stephen Schwartz's second appearance in my Year.

My Midwestern, protestant upbringing in the 70s included knowing and loving much of the music from Godspell, although I don't think I saw the film until years later. I still love the music, but find the story-telling techniques and production style very dated. The broad clowning to enact the parables between songs falls flat to me. And it struck me as very odd that the New York City scenes are void of people, making the ministry of Christ seem very insular.

The cast was probably all unknowns in 1973 (although two are from the original 1971 off-Broadway stage version of show). Today Victor Garber (Jesus) and Lynne Thigpen are well-known, respected actors. It was fun to see them in their pre-CSI-Law&Order-Alias (pick your tv franchise) days. The World Trader Center towers are all over this film (including in the photo I've uploaded for this entry), and I can't help but realize that this posting is going up on September 11th.

Godspell

A Musical based upon the Gospel According to St. Matthew

Music and lyrics by Stephen Schwartz

Film directed by David Greene released by Columbia Pictures

Cast: Victor Garber, Lynne Thigpen, David Haskell, Katie Hanley, and several others.

Jesus Christ Superstar film on DVD

I grew up with the original Broadway cast album of this show, without having seen the show in person, so watching the film version of Jesus Christ Superstar I had some different voices in my mind's ear. Only Mary Magdelene (Yvonne Elliman) and Pontius Pilate (Barry Dennen) are holdovers from the stage version that ran from 1971 - 1973.

This was the first Broadway cast album I heard for a show that was entirely music. I naively thought that made it an opera. Well, I've since discovered that is ain't necessarily so. There are many operas that have dialogue, and lots of through-sung musicals don't meet the musicological threshold to be opera. Of course, now opera companies often produce musicals, and contemporary operas often don't meet that same musicological threshold. That's a bad phrase (not to mention, a bad sentence), but I hope it makes my point. Which is really to say, that in a strange way Jesus Christ Superstar led me to explore opera. Go figure.

I remember seeing the film for the first time when I was a senior in high school and realizing how easy it was to side with Judas, which I have to believe is part of the point of the show and the film. Following Christ wasn't easy, and (not to make too strong a point) maybe it still shouldn't be.

This is the first appearance in my Year for composer Andrew Lloyd Webber. Love him or hate him, he'll be back.

Jesus Christ Superstar
Music by Andrew Lloyd Webber
Lyrics by Tim Rice
1973 film directed by Norman Jewison
Cast: Ted Neeley, Carl Anderson, Yvonne Elliman, Barry Dennen