West Side Story--the New Broadway Cast album

The city is sweltering in early summer heat. The news last night reported that hospital blood supplies are low due to an increase in gang activity. And my apartment has been without electricity since early this morning. What better time to put fresh batteries into the Discman (yes, I still have one of those) and listen to West Side Story? (And then go to the library that does have power to post this entry.)

This is another show where the film version is tattooed to my retina, so I was glad to find a recording of the 2009 Broadway cast for my listening. I am ecstatic to find that this is a thrilling (let me say it again) thrilling new recording of a great score.

The "hook" to this production is that the Puerto Rican characters speak in Spanish when they are among themselves. I have to say, I found more exceptions to that rule than I expected. Even though it is sung just among the Sharks crowd, the song "America" is sung in English, undoubtedly to communicate the funny lyrics to the wider audience. In Act Two, "I Feel Pretty" and "A Boy Like That" are sung in Spanish.

All of the singing is of the first order. Matt Cavanaugh handles the challenges of Tony's songs and their operatic high notes with only a slight nasality in his otherwise lovely voice. Josefina Scaglione has a pretty, light soprano that lacks the "spin" needed to sustain some of the final high notes. Karen Olivo's belt singing of Anita is right on the mark.

The best aspect of this new recording is the orchestral playing of the score. The liner notes list an orchestra of 30 players. It sounds like 50. The playing of the dance sections of the show are exciting and fresh-sounding even though they are 50 years old. I was particularly taken with an instrumental section in "Somewhere". With a lot of open sixths and fourths, this section sounded like Aaron Copland music.

I was disappointed with the liner notes for this recording. In 34 pages it has all of the lyrics (which would really only be important for the Spanish sections, I would think), only four photos (most of which don't identify the performers) and no essay. I would like to know something about the history of this show or the development of this production.


West Side Story
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
Book by Arthur Laurents
Opened originally in 1957, this production opened in 2009
Cast: Matt Cavanaugh, Josefina Scaglione, Karen Olivo

Anyone Can Whistle--OBC album on CD

While the liner notes to this 1988 CD reissue to this 1964 original Broadway cast album don't give much in terms of the plot of the show, it gives a lot of information about the ground-breaking nature of the show, and how Anyone Can Whistle was the seed that eventually bloomed into Sondheim's successful shows. I particularly liked reading what other shows played Broadway the same season as Whistle--Fiddler on the Roof, Funny Girl, Hello Dolly! Can you hear me singing "One of these things is not like the other, one of these things just doesn't belong"? Can something really be ground-breaking if the ground doesn't want to be broken?

That sounds mean-spirited and I don't want to be, because I like much of this score. Didier Deutsch describes it as being embryonic of ideas that will come again in later Sondheim shows. And I can hear that, although I hear themes of Follies, not Company, which is the show Mr. Deutsch compares it to. Perhaps that is because there is a chorus in this show, and I can't think of another Sondheim show other than Follies that has a chorus.

It's a sad thing when I have to say that Lee Remick is the vocal standout of this cast, but that's the state of affairs. She sings her three big songs very well--the title song, "There Won't Be Trumpets" and "See What it Gets You" which feels like a typical (and effective) 11 o-clock number. Harry Guardino is strangley effective and I like the quality of his voice if not the pitch, which is often an issue. I continue to like Angela Lansbury as a musical performer, although her efforts into head voice are a bit tortured.

Perhaps there is another legacy that Whistle can claim--opening up new avenues for musicals to be incubated and hatched. Was there such a thing as an off-Broadway musical at this point? Certainly this show could have benefited from opening on a slightly less-White Way.

Anyone Can Whistle
Music and Lyrics by Stephen Sondheim
Book by Arthur Laurents
Opened in 1964, ran for 9 performances
Cast: Angela Lansbury, Lee Remick, Harry Guardino

Gene Kelly--Anatomy of a Dancer on DVD

After my recent first and last with Gene Kelly, I was glad to find in my mailbox something I thought might help me understand Kelly's place in the dance world of musical movies. Gene Kelly--Anatomy of a Dancer was an American Masters PBS broadcast from 2002 and includes lots of clips from Kelly's films and talking head interviews with people who worked with Kelly and critics who put his work into the perspective of dance history on film.

Knowing very little about dance, I can tell that Mr. Kelly doesn't dance in the same way as Fred Astaire, and one critic puts it rather simply, in a manner even we neophytes can understand: Kelly puts everything down into the floor, while Astaire lifts everything off the floor. I can appreciate that critics here refer to Kelly's style being more athletic, but I think perhaps that does a disservice to the other dancers' styles. Kelly's choreography looks more athletic.

I wanted to see more early history on Mr. Kelly in the feature, but touting itself as analyzing the contribution to film dance of its subject, I guess I need to find a more traditional biography to fill in the early blanks.

It was especially nice to include so much information from Kelly's first wife Betsy Blair and their daughter. I also enjoyed seeing Betty Garret--the Edna Babish of my youth, from Laverne and Shirley. And Arthur Laurents may be one of the last connections to that era of musical-making, both on stage and on film--and he's still directing, with a new Broadway production of West Side Story in both Spanish and English set to open soon.

Gene Kelly: Anatomy of a Dancer
PBS American Masters Series
Broadcast in 2002
Released on DVD in 2004
Cast: Gene Kelly, Debbie Reynolds, Cyd Charisse, Leslie Caron, Besty Blair, Elvis Mitchell, Betty Garret, Betty Comden, Adolph Green, Nina Foch, Arthur Laurents

Gypsy film on DVD

Two days in a row with film versions of shows that starred Ethel Merman, but where the film didn't. At least with Gypsy, the story and music from the show are faithfully preserved in the film.

Despite it's title, the show is not really about Gypsy, but about Mama Rose. Or perhaps its about how Mama Rose created Gypsy--or rather how Gypsy created herself for Mama. Regardless, this is a first rate musical, well done on film, with all the showbiz hokem and human desires to fill a big story against a bigger cyclorama.

Rosalind Russell is very good as Mama and if her singing doesn't quite live up to the demands of Jule Styne's powerhouse music, Ms. Russell's bravura more than makes up for it. Karl Malden is also great as fast-talking Herbie, a very different type of role for him from most of his film and television credits. I may be in the minority (again) but I like Natalie Wood as Gypsy; I think her personal history with a poor background and pushy stage mother helps inform her performance.

A tangent that is truly tangent. A few years ago I read February House by Sherill Tippins. It tells about a house in Brooklyn where in 1940 and 1941 an unusal collection of artists lived. The unlikely group included composer Benjamin Britten, tenor Peter Pears, authors Carson McCullers, W.H. Auden, Jane Bowles, Paul Bowles, Richard Wright, and budding memoirist Gypsy Rose Lee. Do communities like this exist today, where artists of varying disciplines and varying experience come together to foment their ideas?

Well, with all the drinking and Benzadrine-taking that took place in February House, maybe the artists are better off if they don't congregate too much.

Regardless, the musical Gypsy offers a good time at the theater or on the screen.

Gypsy
Music by Jule Styne
Lyrics by Stephen Sondheim
Book by Arthur Laurents
Film directed by Mervyn LeRoy
Released by Warner Bros. in 1962
Cast: Rosalind Russell, Karl Malden, Natalie Wood