Anyone Can Whistle--OBC album on CD

While the liner notes to this 1988 CD reissue to this 1964 original Broadway cast album don't give much in terms of the plot of the show, it gives a lot of information about the ground-breaking nature of the show, and how Anyone Can Whistle was the seed that eventually bloomed into Sondheim's successful shows. I particularly liked reading what other shows played Broadway the same season as Whistle--Fiddler on the Roof, Funny Girl, Hello Dolly! Can you hear me singing "One of these things is not like the other, one of these things just doesn't belong"? Can something really be ground-breaking if the ground doesn't want to be broken?

That sounds mean-spirited and I don't want to be, because I like much of this score. Didier Deutsch describes it as being embryonic of ideas that will come again in later Sondheim shows. And I can hear that, although I hear themes of Follies, not Company, which is the show Mr. Deutsch compares it to. Perhaps that is because there is a chorus in this show, and I can't think of another Sondheim show other than Follies that has a chorus.

It's a sad thing when I have to say that Lee Remick is the vocal standout of this cast, but that's the state of affairs. She sings her three big songs very well--the title song, "There Won't Be Trumpets" and "See What it Gets You" which feels like a typical (and effective) 11 o-clock number. Harry Guardino is strangley effective and I like the quality of his voice if not the pitch, which is often an issue. I continue to like Angela Lansbury as a musical performer, although her efforts into head voice are a bit tortured.

Perhaps there is another legacy that Whistle can claim--opening up new avenues for musicals to be incubated and hatched. Was there such a thing as an off-Broadway musical at this point? Certainly this show could have benefited from opening on a slightly less-White Way.

Anyone Can Whistle
Music and Lyrics by Stephen Sondheim
Book by Arthur Laurents
Opened in 1964, ran for 9 performances
Cast: Angela Lansbury, Lee Remick, Harry Guardino

Mame--OBC album

Is there a show with more infectious music that Jerry Herman's Mame? Well, if so, please suggest it, because I have always loved this musical and would love to hear what you think compares with it. I've never listened to the original Broadway cast album, but have seen the film version many times and seen it on stage at least once, when my high school performed it when I was in 8th grade. I remember being jealous of the 7th grader who played Young Patrick. The next year, he and I were in Sound of Music together.

I'm surprised by how much I like the singing on this album, even though Angela Lansbury and Bea Arthur (RIP) are hardly my usual types of singers. I think that is a component of having really infectious songs in the score--although I like this score more than others by Jerry Herman. Ms. Lansbury displays a lot of good legato singing and breath control, even if her sound is not traditionally beautiful. I'm shocked to discover that his entry is the first in my Year to feature Ms. Lansbury. I must do something to make up for that.

Its easy for me to picture the deadpan delivery and double takes of Ms. Arthur (RIP), as she is in the film version.

The women really rule the roost in this show, with the men as secondary characters--especially in the singing department. Charles Braswell as Mame's hubby Beau has little to sing except in the big Act I Finale. I was surprised by the voice of Jerry Lanning who plays the elder Patrick--it's a very nice voice, even if I found it a bit too mature-sounding for the character. I must check out more of Mr. Lanning.

Mame
Music and Lyrics by Jerry Herman
Book by Jerome Lawrence and Robert E. Lee
Opened in 1966
Cast: Angela Lansbury, Beatrice Arthur, Jane Connell, Willard Waterman, Charles Braswell, Jerry Lanning