Today's entry is the bonafide Broadway juggernaut of the new millennium. It's also succeeded in bringing in a whole new audience to the Broadway theater--no easy feat. It is the first entry in my Year with composer/lyricist Stephen Schwartz, who got his feet wet in musicals with Godspel and Pippin, which I would qualify as "soft rock" musicals. With Wicked he has a more mature musical style that combines traditional Broadway styles with a pop music mentality.
You need to have a villain if you're going to have a hero. But does Wicked have a hero? Most in the audience would say that Elphaba is the hero, but the characters on stage certainly wouldn't agree. And Elphaba is not without fault, ego, or mistakes.
And with the two strong performances by Idina Menzel and Kristin Chenoweth in the original Broadway cast, the argument for who is the hero is further confused. Both Ms. Menzel and Ms. Chenoweth are singers that defy categorization (if not gravity). They have a "belt" mentality without the limitations of a belt range. They can choose their vocal placement to keep from having an obvious break in their ranges, unlike many belt singers. Perhaps this is by benefit of being among a generation of musical performers who have always used microphone amplification for their entire performing life.
I saw Wicked in the sit down production in Chicago with Ana Gasteyer in the role of Elphaba. The whole production was wonderful and the women in particular were great. Rondi Reed (who just won a Tony in a straight play) was Madame Morrible. I'm sorry I don't recall the actress who was Galinda. The complicated set was a bit of a puzzle to me. To me, it took away from the action on stage rather than added to it.
Wicked
Music and Lyrics by Stephen Schwartz
Book by Winnie Holzman
Based on the novel by Gregory Maquire
Original Broadway Cast recording
Released by Decca Broadway in 2003
Cast: Kristin Chenoweth, Idina Menzel, Joel Grey, Carole Shelley, Norbert Leo Butz
You need to have a villain if you're going to have a hero. But does Wicked have a hero? Most in the audience would say that Elphaba is the hero, but the characters on stage certainly wouldn't agree. And Elphaba is not without fault, ego, or mistakes.
And with the two strong performances by Idina Menzel and Kristin Chenoweth in the original Broadway cast, the argument for who is the hero is further confused. Both Ms. Menzel and Ms. Chenoweth are singers that defy categorization (if not gravity). They have a "belt" mentality without the limitations of a belt range. They can choose their vocal placement to keep from having an obvious break in their ranges, unlike many belt singers. Perhaps this is by benefit of being among a generation of musical performers who have always used microphone amplification for their entire performing life.
I saw Wicked in the sit down production in Chicago with Ana Gasteyer in the role of Elphaba. The whole production was wonderful and the women in particular were great. Rondi Reed (who just won a Tony in a straight play) was Madame Morrible. I'm sorry I don't recall the actress who was Galinda. The complicated set was a bit of a puzzle to me. To me, it took away from the action on stage rather than added to it.
Wicked
Music and Lyrics by Stephen Schwartz
Book by Winnie Holzman
Based on the novel by Gregory Maquire
Original Broadway Cast recording
Released by Decca Broadway in 2003
Cast: Kristin Chenoweth, Idina Menzel, Joel Grey, Carole Shelley, Norbert Leo Butz
2 comments:
I love your thoughts on hero/anti-hero in Wicked, never thought of that before.
I still cry when Defying Gravity comes on my ipod. Everytime.
I actually enjoyed Ana G's voice better than Idina's. It just seemed to contrast Galinda's voice better. Idina and Kristin C.'s voices have too many similarities or something. The kids and I just recently belted this album out on a long trip to Canada (not so "anonymous" anymore), but skipped the Joel Gray songs. Sorry Joel.
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