Do Re Mi--1999 Encores Cast on CD

For a while in Chicago there was a series of musical concerts based on the Encores Series in New York. Ovations (as the Chicago incarnation was called) lasted one season, maybe two. Listening to this recording of an Encores production of Do Re Mi has made me miss the Chicago version.

I didn't know anything about this show until I bought this recording probably 5 years ago. I'm sure I bought it because Nathan Lane starred in it. While the talents of Mr. Lane are ably on display on this disc, there is a lot of other stuff to appreciate here, too.

Let's start with the singing of Brian Stokes Mitchell. Yes, I know I've gone on and on about Mr. Mitchell before, but this is some of his finest singing, in my humble opinion. He taps into all of his baritonal colors and richness and still has the ability to reach into his upper register. His Act I "I Know about Love" shows off all of Mr. Mitchell's abilities and is a wonderful song to boot. I don't know why I had never heard it before; it deserves a life outside the show. I will add it to my list of "lonely" songs for my one-man show in my head.

The most recognizable song from this score is "Make Someone Happy". But that song doesn't interest me nearly as much as others from the show--"It's Legitimate" (a Politics and Poker-type quartet), "All of My Life", "Cry Like the Wind", even the kitschy "That's What's new at the Zoo" are fun in their own ways.

The original cast for this show was also interesting--Phil Silvers, John Reardon, Nancy Walker and Nancy Dussault. I wonder if I can find that recording?

Do Re Mi

Music by Jule Styne

Lyrics by Betty Comden and Adolph Green

Book by Garson Kanin

Opened on Broadway in 1960

This cast from 1999

Cast: Randy Graff, Heather Headley, Brian Stokes Mitchell, Nathan Lane

Guys and Dolls:Off the Record

Well, points against my queue planning, for today I repeat a show in my Year for the first time--a show I just discussed a week ago-- a show that featured Nathan Lane (who I also discussed this week)--and a documentary surrounding the recording of a cast album, a format I also discussed earlier this week. In my favor, it's a good cast and a great show and an interesting recording process.

Guys and Dolls: Off the Record followed the 1992 recording of the cast ablum for the Broadway revival production that featured Nathan Lane and Faith Prince. I'm certain in 1992 I had never heard of either of these performers and when I bought this cast album (which I still have) and saw this documentary (which may have been on PBS) I was taken with both of them. I still am.

If there is a better show for which to be a member of the men's chorus, please tell me what it is. "Oldest, Established, Permanent, Floating Crap Game in the World" must be fun to sing. Backing up Sky in "Luck Be a Lady Tonight", ditto. Backing up Nicely-Nicely in "Sit Down, You're Rockin' the Boat, double ditto. Nicely is nicely sung here by Walter Bobbie, who has had a nice career as performer and now director for musicals, just as Jerry Zaks has had before him. Mr. Zaks directed this revival of Guys and Dolls and we see of lot of him reassuring performers during the recording process.

I must find a way for Faith Prince to reappear in my Year. I know she did a revival of Bells are Ringing, but what else?

Guys and Dolls: Off the Record
Music and Lyrics by Frank Loesser
Revival Broadway Cast album recorded in 1992
Documentary taping of recording also in 1992
Production directed by Jerry Zaks
Cast: Nathan Lane, Faith Prince, Josie de Guzman, Peter Gallagher, Walter Bobbie, JK Simmons

A Producers Two-Fer

Well it's two for the price of one today with both the 2005 film of Mel Brook's The Producers and a documentary about the recording of the cast album for the stage show in 2001. Both DVDs arrived in my mailbox on the same day and it seemed logical to pair them in an entry.

The documentary taped during the recording of the cast album is mostly delightful. Perhaps I got a bit tired of Mel Brooks during it, but it's really his story to tell, so one must be forgiving. He's earned at least that much. I was struck by how intensely everyone was concentrating during the process. There was little hardy-har-haring, even from notorious Nathan Lane. I supposed the cost of producing an album and the pressure of getting it done in one day doesn't allow for much down time. We really only see the takes that are the final ones, I suspect, and that was a bit annoying, too. I wanted to see at least one big caflooey moment, assuming there was one.

The film version was made almost four years later and the first thing that I noticed was how much Nathan Lane's voice had aged, or more accurately how much his voice had worn out. Watching the process of recording the cast album made me appreciate the strain he was placing on his voice; by the time he's gotten to the film, the strain of eight shows a week for however long he performed the role shows--or rather sounds.

The film does not really capture the inspired lunacy of this show. And while Uma Thurman and Will Ferrell don't embarrass themselves totally by taking on the roles of Ula and Franz Liebkind, having just watched the recording session with Cady Huffman and Brad Oscar, it's difficult not to feel slightly on their behalf.

I still kick myself for not trying to see the out-of-town tryout for The Producers, which happened in Chicago. I rarely get swept into the latest zeitgeist of shows, or movies, or whatever, so I usually miss a lot. But this was ol' fashioned musical comedy at it's most inspired.

I'm too much of an old bitty. Hence my love of John Raitt and Alfred Drake. Perhaps I should move to Little Old Lady Land.

The Producers: The Movie Musical
Recording The Producers: A Musical Romp with Mel Brooks
Music and Lyrics by Mel Brooks
Book by Mel Brooks and Thomas Meehan
Directed on the stage and on film by Susan Stroman
Cast in both film and album: Matthew Broderick, Nathan Lane, Gary Beach, Roger Bart
Additional film cast: Uma Thurman, Will Ferrell
Additional album cast: Cady Huffman, Brad Oscar