Sondheim: a Celebration at Carnegie Hall

Has any musical theater composer been the subject of more special concerts during his life-time than Stephen Sondheim? Doubtful. I wonder why that is?

I believe he appeals to performers, who enjoy the opportunity to sing his songs with orchestra. I don't dislike his music, but I won't be lining up to sing it with the Chicago Symphony Orchestra at Ravinia this summer (even if they ask me to have done, which they should have asked me to have done). I get that his shows are creatively formatted and explore more contemporary human situations in a more modern setting. He probably also appeals to anyone who appreciates clever, urban word-play--which I do.

Still, so many Sondheim revues/evenings/tributes/galas/concerts/acts? Well, I don't have any more lined up for the remainder of my Year, and gratefully Sondheim: A Celebration at Carnegie Hall from 1992 is a good tribute concert on which to end my Sondheim thinking.

Firstly, while I groaned when Bill Irwin walked onto stage after the overture, he turned out to be really funny. I hate clowns, but this was a hysterical take on the "fake stage manager" routine. Of course, I'm a fake stage manager myself, so I'm biased.

I mourned the late Jerry Hadley and Madeleine Kahn, both of whom do their songs very well. Liza Minnelli was fantastic in her songs, both of which were new to me. I thought Liza Minnelli was very good. Glenn Close was not quite at the level she was at in the Lloyd Webber tribute I listened to last week. Betty Buckley was miscast singing "Children will Listen". I didn't care for the Tonics.

While I have heard most of this music before, just about everything from Merrily We Roll Along and Assassins was new to my ears.

Perhaps I do need to look for a little more Sondheim.

Sondheim: A Celebration at Carnegie Hall
Music and lyrics by Stephen Sondheim
Staged in 1992
Released on video in 1993
(Amazon says this is a two-disc set and Netflix sent me only one disc that seems to contain a compilation of what is on the two-disc version. What gives?)

Cast: Bernadette Peters, Billy Stritch, Liza Minnelli, Glenn Close, Betty Buckley, Patti Lupone, Mark Jacoby, Dorothy Loudon, Patrick Cassidy, Victor Garber, Bill Irwin, Jerry Hadley,

Sunday in the Park with George stage version on DVD

Do you think Georges Seurat was OCD? What about Stephen Sondheim? How about Mandy Patinkin? I say meds are needed all around.

Fortunately, everyone is at the height of their powers in the creation and performance of Sunday in the Park with George, filmed from the stage musical in 1985. Sondheim, Patinkin, Peters, Lapine and even Seurat combine in some kind of alchemy to produce one of the greatest musicals of all time--beloved by many.

Movement and stillness are important components of this production, and I assume director and book writer James Lapine is due the thanks for so carefully choreographing this aspect of the show. Light also plays an important part of the show, and the physical aspects of the production are exceptionally good and really help build the drama (not to mention the painting) in the first act.

I was surprised by my reaction to Act Two. I have never seen this show on stage, but had heard the cast album many times. I was prepared to think less highly of the second act than I did of the first act. Judging just by the music, it feels, at times, a little preachy on issues that have been dealt with more subtly in the first act. On the contrary, I found the second act very emotionally moving. I had a good cry during it, actually. Perhaps it was because of the family connection that Marie dotes on, or the love of a grandparent exhibited by second act George, but it was very moving. I was moved. Now I have to move on.

Sunday in the Park with George
Music and lyrics by Stephen Sondheim
Book and stage direction by James Lapine
Original broadway cast filmed on stage in 1986
Cast: Bernadette Peters, Mandy Patinkin, Charles Kimbrough, Brent Spiner, Barbara Bryne

Into the Woods Broadway Production on DVD

I suppose I couldn't avoid him for long, but I have to confess a love/hate relationship with Stephen Sondheim. I find his musicals smart and insightful, and good explorations of interesting themes. And I like his music, but I can't sing it worth beans.

Into the Woods is one of my favorites of Sondheim's works. I like how it uses childhood fairy-tales to explore very adult themes of risk/reward for "straying from the path", personal responsibility, sense of community, and parenting. It also marks the second appearance in my year for Bernadette Peters, now in the prime of her career and warranting applause from the audience at her first entrance (even though she is done up in the old witch make-up and costume).

I find Joanna Gleason a wonderful singing actress. I was more familiar with her television experience (West Wing) and saw her in a brief role in the Sex and the City movie, which is out right now. I'm going to need check out more of her musical background. I believe she was in a musical based on the Nick and Nora Charles stories--perhaps with Barry Bostwick.

I saw Woods live maybe a decade ago at the Marriot Lincolnshire Theater outside of Chicago. It was done in the round, or maybe 3/4 round. The proscenium version of this production seems very 2-dimensional, especially at the beginning when the three fairytales each have their own small proscenium. It's better when the storyline goes into the woods--perhaps part of the point.

Into the Woods
Music and Lyrics by Stephen Sondheim
Book and Direction by James Lapine
Taping of performance by original Broadway cast in 1990
Cast: Bernadette Peters, Joanna Gleason, Chip Zien, Barbara Byrne, Robert Westenberg

Mack & Mabel Original Cast Album

It's hard not to like Jerry Herman musicals, the music is generally so sunny with enough soaring ballads to keep the fluff from being too much. With that mindset, I put the original Broadway cast album of Mack & Mabel into the machine. I've never seen this show on stage. The liner notes to the CD reissue give a long explanation as to why it's rarely (never?) staged. Do musicals about movie-making ever work? I can only think of one other at the moment--Sunset Boulevard.

That said, there's a lot to like on this cast album. Robert Preston is so good at making that sprechstimme style work--finding a balance between singing tones and speaking tones. It's so easy to think of him in this type of role (along with The Music Man and Victor/Victoria), I find it incredible that his credits also include originating the role of King Henry in The Lion in Winter on Broadway. I will forever associate that role with Peter O'Toole in the film. Nathan Lane seems to me a modern version of Preston, not a great singer, but a great singing performer.

It's nice to remember that Bernadette Peters was a Broadway star long before her association with Sondheim and Sunday in the Park with George. She, too, has a distinctive style all her own that works for her--a kind of cupie doll voice to go with the cupie doll face and curls. And "Time Heals Everything" is a great song, well sung.

The third singing member of the cast is Lisa Kirk, who was the original Bianca in Kiss Me Kate, more than 25 years before Mack & Mabel. She sings a couple of upbeat, lighter hearted songs--some of which seem to have actual dance breaks--rather old-fashioned for a musical from the 70s. Perhaps one of the reasons the show didn't work was that it was out of its time.

Mack & Mabel Original Cast Album
Music and Lyrics by Jerry Herman
Originally released on ABC Records
MCA Classics reissue on CD
Recorded October, 1974; CD reissued in 1992
Cast: Robert Preston, Bernadette Peters, Lisa Kirk, Stanley Simmonds