I believe this makes the seventh appearance for bookwriters and lyricists Betty Comden and Adolph Green in my Year. They are by far leading the pack of other songwriters who have come up. Mr. Green also appeared once as a performer. Today is another of their musicals with composer Jule Styne, Subways are for Sleeping.
Compared their this teams' previous hit, Bells are Ringing, Subways was not a successful production, as the overly-long liner notes to this CD reissue make clear. Initially Comden and Green only wanted to write the song lyrics, not the book, saying that weren't certain how to coax a plot out the collection of short stories by Edmund G. Love. But when another bookwriter was not forthcoming, the pair capitulated and created a plot revolving around two sets of lovers. Comden and Green perhaps knew best in their initial reaction to writing the book, as that seems to be the aspect that let this show down the most.
In listening to the score, I have to wonder how bad must the book have been to have this show be considered unsuccessful. The songs are uniformly good--often much better than good--and the sung performances also quite engaging. I knew none of these songs before listening to this cast album, and I'm surprised they are not interpolated more often (if at all) into revues or cabaret acts.
Adolph Green's wife, Phyllis Newman, was cast (after five auditions) as the women in the comic pair of lovers, along side Orson Bean. As the liner notes state, this pair had much better material than the "primary" pair in the show, played by Carol Lawrence and Sydney Chaplin. This seems to have been part of the problem with the show. Newman is a hoot in her big Act One number "I was a Shoo-in", telling of her inevitability (and inevitable disappointment) as a beauty contestant. The song is hysterical and Ms. Newman plays it just right--completely straight and not too over-the-top. She won a Tony Award for her performance. A bonus track on this CD contains the song "Let's Talk" which was cut from the show, but also would have been for Ms. Newman.
I had previously queried about Sydney Chaplin, who not only originated the lead role in this show, but also lead roles in the stage versions of Bells Are Ringing and Funny Girl. This is the first singing I've heard by Mr. Chaplin (who was Charlie's son) as I saw the film versions of those other shows, where he did not appear. Chaplin has an enjoyable-enough, slightly raspy baritone, well suited to the cads he seems to have made a living portraying. His big number in Subways is "Swing Your Projects", a very funny song about financial indiscretions and double-dealings that seems all too current to today's situation. He is paired with Carol Lawrence, who sings beautifully on this recording, although the duets she and Chaplin share are perhaps not the most inspired numbers in the score.
Subways are for Sleeping
Music by Jule Styne
Book and Lyrics by Betty Comden and Adolph Green
Opened late 1961, cast album recorded in early 1962
Cast: Sydney Chaplin, Carol Lawrence, Phyllis Newman, Orson Bean
Directed and choreographed by Michael Kidd
Music by Jule Styne
Book and Lyrics by Betty Comden and Adolph Green
Opened late 1961, cast album recorded in early 1962
Cast: Sydney Chaplin, Carol Lawrence, Phyllis Newman, Orson Bean
Directed and choreographed by Michael Kidd
1 comment:
I absolutely ADORE this musical. And I am love the book equally as well. I had a tattered copy this book that I found at that The Strand, that famous bookstore in Greenwich Village. And I bought another copy via the internet.
With the economy in such bad shape, this is a very good time to revive the musical. There are several songs in the musical that are drop-dead gorgeous. I cry every time I hear "Girls Like Me." It is so true. And then the other great songs are "I'm Just Taking My Time" with it's soaring notes. OHH! And "Swing Your Projects" has absolutely brilliant lyrics. "Comes Once In A Lifetime" is another great song.
Jack Davidson
Post a Comment